← Journal

Culture

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5 min

The night-shift palette

Sodium orange, signal yellow and wet asphalt. Where the colors for Drop 004 came from.

Afterglow was designed after dark. We spent three weeks shooting the city between midnight and 5 a.m. and pulled every color from those rolls of film.

Colors that glow back

Reflective trims aren’t decoration here. They’re placed where headlights actually hit — cuffs, hems, the back yoke — so the jacket answers the street.

Coming 12.12

Twelve pieces, one run. Set a reminder, because this one won’t wait.

— End of story

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